All of Me – Backing Track

All of Me

Jay Metcalf of Better Sax plays the classic jazz standard “All of Me” over one of our backing tracks.

“All of Me” is one of the most beloved and recognizable jazz standards of all time. This backing track is set at a medium swing tempo of 144 bpm. Instrumentation is piano, bass and drums.

Versions available in 2 keys to accommodate male and female vocalists. There’s a longer version in the key of C with extra solo choruses for stretching out.

Jay is playing on a Yanagisawa TWO2UL tenor sax with a KB Sax hand hammered bronze neck and the mouthpiece is a Phil Tone Tribute ltd 7*. The ligature is a Rovner platinum and the microphone is a Coles 4038 ribbon.

“All of Me” is included in the Essential Jazz Repertoire Vol. 1 Collection of 10 tracks.

Essential Jazz Repertoire Vol. 1 – Backing Track Collection

Essential Jazz Repertoire vol 1 Better Trax

These are some of the most essential jazz tunes. With these backing tracks, you have a solid set of material covered. Instrumentalists and vocalists will find these play along recordings fun to perform and practice. Many of the tunes come in multiple keys to accommodate male and female singers. There are also longer versions of some of the songs with extra solo choruses for stretching out.

There are 26 different tracks included in this collection with all the alternate versions.

Individual instrument stems are also provided for those who want to customize their recordings.

Tracks Include:

All of Me

Autumn Leaves

Blue Bossa

The Girl From Ipanema

In a Sentimental Mood

Misty

Song For My Father

Summertime

Take the A Train

There Will Never Be Another You

All tracks are provided in high quality mp3 format along with lead sheet chord charts (melodies not included) pdfs (concert, Bb and Eb transpositions) and iReal Pro playlist.

2 thoughts on “All of Me – Backing Track”

  1. Where do I find sheet music for”All of me”?
    I joined better trax and downloaded tracts. Does sheet music come with package because I can’t find it.

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